Tragedy uproots Iris and her sisters, all named after flowers, from the solid ground of middle-class life and plants them, unsupervised, in the rocky terrain of low-income housing. In a world where rain falls only on the privileged, Liam, a student who attends the elite private school directly across the street, proves refreshing as a summer gale, gushing joy into the sisters’ lives. Further nurtured by Ma Moore, a church elder who sprinkles the Flower sisters with spiritual wisdom, Iris embraces her Heavenly Father with steadfast urgency.
But when a student takes a hopeless leap from the school roof, Iris withers under the scorching realization that everything she thought she knew about privilege—and God—lies crippled. Petrified Flowers is the anthem of one African-American girl straddling three worlds. It is a song of hope, a triumph of faith, and a resounding refrain of the Father’s eternal love.
DISSIPATION The afternoon it rained on their side of the street but not ours Dahlia and I sat idle, too hot to breathe fully. We straddled a seesaw, fixed— Me digging my flip flop heels into recycled rubber. Her suspended mid-air, defying gravity. The two of us panting and dripping at Brooks Street Park. Wishing we could beam ourselves thirteen blocks north to Spriggs Park where our sisters played. Wishing we could dip our toes into homemade concrete and melt into abandon with the rest of the Flowers. We had disregarded Mom’s orders to remain inside. Dahlia was supposed to be confined to her bed. I’d been roped into nursing her flu. Instead, we persisted— I in reclaiming the childhood that had abruptly ended and Dahlia in growing up. We played Bubble Gum, Bubble Gum. I was too old for the game, but not for the wishing. If wishing could actualize the sweet, juicy pieces we sang of, maybe we could sing Daddy back and exhume Mom. But, our voices cracked from singing too long. Our expectations ran dry from hoping too hard. Then we heard a murmuring. Hope. We both stopped singing squinted up out over to the other side of the street. A miraculous liquid sheet descended. Conditions shifted immediately. We seized scanty drafts in fits and waves; even still, we accepted the remainders of their respite from the unbearable hot spell. It literally rained on only one side of the street. The injustice fumed. Steam surged from the concrete as it poured— gloriously commonplace. Acrid on parched tongues the immoral aftertaste of so many entitlements permitted just over there. We weathered still. Bystanders cemented on the outskirts of beautiful lives.
About the Author:
Joiya Morrison-Efemini also wrote The Notes They Played, a lyrical collection of short stories, and The Impossible, replete with the devastating ramifications of racism, and the curative power of forgiveness. She lives in Marietta, Georgia with her husband and four children. If she’s not running her house, her kids around town, or miles with her girlfriends, she’s curled up with a good book, or trying to write one.